Author: Gonzalo Pozo

Gonzalo Pozo

Interviews

A DYING PLANET’s Guitarist Jasun Tipton: “As Much As I Loved ZERO HOUR, I Wasn’t Going to Continue Without My Brother Troy”

By Gonzalo PozoSeptember 13, 2018

Interviews

ANGRA’s Guitarist Rafael Bittencourt on ProgPower USA: “They didn’t try to scale it up and make it crazy-big. That keeps it very true and it’s the biggest prog-metal event in the States”

By Gonzalo PozoSeptember 11, 2018

Interviews

TESTAMENT’s Front-man CHUCK BILLY: “When We Return Home After the Tour, No One Has to Go Back to A Job. It’s Almost Like an Early Retirement”

By Gonzalo PozoAugust 20, 2018

Interviews

TESTAMENT/DRAGONLORD’s Guitarist ERIC PETERSON: “It’s Been Over a Decade, But The Last DRAGONLORD Album Still Sounds Fresh and Relevant”

By Gonzalo PozoAugust 15, 2018

8.3

Album Reviews

A Dying Planet – Facing The Incurable (Album Review)

By Gonzalo PozoAugust 8, 2018

Interviews

PRIMAL FEAR’s Tom Naumann: “We Always Strive to Improve Ourselves As a Band, Without Losing Our Musical Roots”

By Gonzalo PozoAugust 1, 2018

9.0

Album Reviews

Redemption – Long Night’s Journey Into Day (Album Review)

By Gonzalo PozoJuly 24, 2018

Interviews

REDEMPTION’s Nick Van Dyk: “I Feel That Now We Have the Most Talented Line-Up REDEMPTION Has Ever Had”

By Gonzalo PozoJuly 18, 2018

Interviews

BETWEEN THE BURIED AND ME’s Tommy Rogers: “We Are Very Grateful to Have the Freedom to Be Able To Write Songs That Aren’t Normal”

By Gonzalo PozoJuly 12, 2018

Interviews

SYMPHONY X’ Michael Romeo: “I Really Wanted My Solo Record to Be Different from The Band’s Sound: More Orchestral and Cinematic, with some Sabbath and Pantera Influences”

By Gonzalo PozoJuly 6, 2018

What's Trending

FENDER MUSICAL INSTRUMENTS Celebrates IRON MAIDEN’s 50th Anniversary with Limited-Edition Signature Collection

MEGADETH Announce Global Cinematic Event “Megadeth: Behind The Mask” For January 22, 2026

GUNS N’ ROSES Share Their Two Latest Video Visualizer For “Nothin'” And “Atlas”

Airport Shuts Down OZZY OSBOURNE Renaming Idea, But Fans Aren’t Letting Go

THE DAMNED Shares Cover of PINK FLOYD’s “See Emily Play” From Upcoming Album

GUNS N’ ROSES Share Their Two Latest Video Visualizer For “Nothin'” And “Atlas”

MEGADETH Announce Global Cinematic Event “Megadeth: Behind The Mask” For January 22, 2026

SMITH/KOTZEN Share New Lyric Video For “Blindsided”

SPOCK’S BEARD – The Archaeoptimist (Album Review)

AGNOSTIC FRONT – Echoes In Eternity (Album Review)

JONAS LINDBERG & THE OTHER SIDE – Time Frames (Album Review)

RUBI ATE THE FIG – Desert Electric (Album Review)

MOONSPELL – Opus Diabolicum: The Orchestral Live Show (Album Review)

ALEX SKOLNICK Reflects On New ALEX SKOLNICK TRIO Album: “Everything Is Becoming So Dependent On Technology, But Our Music Is An Expression Of Being Human”

TOMMY VETTERLI Talks CORONER’s New Album, Explain Why They Don’t Belong In The Mainstream: “We Are A Niche Band, We Do Not Write Fast Food Music”

FERNANDO RIBEIRO On Why MOONSPELL’s “Opus Diabolicum” Stands Apart: “It Has Balls & Taste, It Feels Like The Real Thing”

NEAL SMITH Talks “The Revenge Of Alice Cooper” Album: “It’s Both Commercial And Really Terrifying”

CHRIS CAFFERY Reflects On 20 Years Of Solo Career, SAVATAGE’s Return, And The Balance Between Legacy & Future

CONCERT REVIEW: OPETH Weave Heaviness And Elegance In Their Triumphant Tokyo Return

CONCERT REVIEW: NE OBLIVISCARIS, RIVERS OF NIHIL & PSYCROPTIC Turned A Meager Crowd Into A Night For Texas’ Metal History Books

CONCERT REVIEW: Tired of Tribute-Act Touring? STEVE HACKETT Keeps Showing How ’70s Legends Should Be Doing It

CONCERT REVIEW: CAVALERA CONSPIRACY Honors An Album That Defined 90s Metal

CONCERT REVIEW: Norway’s WARDRUNA Enchants Philadelphia

Twitch Streamers Are The New Rockstars

Rock And Metal Anthems That Would Rule The Casino Floor

Setlists, Stats, And The Thrill Of Chasing Perfection

GIVEAWAY: Win A BON SCOTT’s 79th Birthday Bash Prize Package – Including Vinyl, T-Shirt, Pin/Patch Set & Collectible Figurine

Don’t Fret It: Smart Travel Habits for Musicians on the Go

Author: Gonzalo Pozo

A DYING PLANET’s Guitarist Jasun Tipton: “As Much As I Loved ZERO HOUR, I Wasn’t Going to Continue Without My Brother Troy”

ANGRA’s Guitarist Rafael Bittencourt on ProgPower USA: “They didn’t try to scale it up and make it crazy-big. That keeps it very true and it’s the biggest prog-metal event in the States”

TESTAMENT’s Front-man CHUCK BILLY: “When We Return Home After the Tour, No One Has to Go Back to A Job. It’s Almost Like an Early Retirement”

TESTAMENT/DRAGONLORD’s Guitarist ERIC PETERSON: “It’s Been Over a Decade, But The Last DRAGONLORD Album Still Sounds Fresh and Relevant”

A Dying Planet – Facing The Incurable (Album Review)

PRIMAL FEAR’s Tom Naumann: “We Always Strive to Improve Ourselves As a Band, Without Losing Our Musical Roots”

Redemption – Long Night’s Journey Into Day (Album Review)

REDEMPTION’s Nick Van Dyk: “I Feel That Now We Have the Most Talented Line-Up REDEMPTION Has Ever Had”

BETWEEN THE BURIED AND ME’s Tommy Rogers: “We Are Very Grateful to Have the Freedom to Be Able To Write Songs That Aren’t Normal”

SYMPHONY X’ Michael Romeo: “I Really Wanted My Solo Record to Be Different from The Band’s Sound: More Orchestral and Cinematic, with some Sabbath and Pantera Influences”