TRIVIUM singer and guitarist Matthew Kiichi Heafy has shared more details about his long-awaited and much-anticipated IBARAKI project. The project’s debut album “Rashomon” will be released on May 6 via Nuclear Blast.
Today, the band has shared the video for “Akumu” (Featuring BEHEMOTH‘s Nergal). Watch it below.
“‘Akumu’ translates to ‘nightmare’ — and with this piece, I encourage the listener to work to find their interpretations of what they feel from the lyrics, music, and the haunting visuals of the music video,” says Kiichi. “I have always been fascinated by Sagazan’s ‘Transfiguration,’ and for years, I have wanted to pay homage to his works with a performance art piece; to finally be able to immerse myself in his style was an intense experience.”
He finishes, “Having Nergal guest in this Ihsahn co-written piece allowed me to combine many of my long-time influences; and when I presented with Nergal of the challenge of translating my lyrics into Polish, it brought the song to another level.”
“Rashomon” Track-Listing:
- Hakanaki Hitsuzen
- Kagutsuchi
- Ibaraki-Dōji
- Jigoku Dayū
- Tamashii No Houkai
- Akumu (Feat. Nergal)
- Komorebi
- Rōnin (Feat. Gerard Way)
- Susanoo No Mikoto (Feat. Ihsahn)
- Kaizoku
IBARAKI — the name for a terrifying Japanese demon taken from feudal legend — is the end-result of Heafy‘s continued journey to find his voice. It’s personal, it’s deep, and its inspirations include everything from an adoration for the extremes of black metal and beyond.
It was Heafy‘s exposure to Ihsahn‘s solo work that would inspire the gradual craftsmanship that would eventually become IBARAKI. It was also the beginning of a friendship and creative collaboration that would eventually compel Ihsahn to take a leap of his own into a newfound role as producer on the project. While much of the material for IBARAKI was assembled over months and years — as much a songwriting process as an exchange of ideas between friends — it wasn’t until the pandemic that the space was created and the idea could really flourish.
While material was primarily written by Kiichi, Ihsahn engineered and produced and contributed some song structures, plus Trivium drummer Alex Bent and bassist Paolo Gregoletto and guitarist Corey Beaulieu contributed to various tracks. Ihsahn‘s wife Heidi even sampled some natural sounds from the forest near their home and his entire family. Additional guests include the aforementioned Way and Behemoth‘s Nergal.
Ihsahn also encouraged Kiichi to seek out new avenues for lyrical inspiration, namely his Japanese heritage. While an array of stories have been told via the tattoos on his body, such as the specific ancient Japanese story of gods, goddesses, and monsters from the Shinto religion taught to him by his mother, he began pouring the stories into lyrics.
While the rich mythology and folklore of Japan that would give IBARAKI its unique aesthetics and influences, it also provides the artist with the catalyst to contemplate his own identity and to consider how recent tragedies stateside have highlighted the need for better representation in metal.
