Close Menu
Sonic Perspectives
  • News
  • Reviews
  • Interviews
  • Concerts
  • Features
  • Photos
  • Contact
What's Trending

JUDAS PRIEST To Release “Sad Wings Of Destiny” 50th-Anniversary Edition on “Faithkeepers Tour”

July 21, 2026

HATEBREED Share New Single “Kill Count Increase” From Upcoming New Album “Fatal Paradox”

July 21, 2026

MISERY INDEX Returns With First New Single in Four Years, “Feral Future”

July 21, 2026

MESHUGGAH Teams Up With Hasbro Transformers For Exclusive San Diego Comic-Con Fan Signing

July 21, 2026

MARILYN MANSON Reveals New Video For “Front Toward Enemy”

July 21, 2026
Facebook YouTube
Sonic Perspectives
  • News

    JUDAS PRIEST To Release “Sad Wings Of Destiny” 50th-Anniversary Edition on “Faithkeepers Tour”

    July 21, 2026

    HATEBREED Share New Single “Kill Count Increase” From Upcoming New Album “Fatal Paradox”

    July 21, 2026

    MISERY INDEX Returns With First New Single in Four Years, “Feral Future”

    July 21, 2026

    MESHUGGAH Teams Up With Hasbro Transformers For Exclusive San Diego Comic-Con Fan Signing

    July 21, 2026

    MARILYN MANSON Reveals New Video For “Front Toward Enemy”

    July 21, 2026
  • Reviews
    9.0

    NORTH SEA ECHOES – How To Cast A Shadow (Album Review)

    July 20, 2026
    8.9

    STORMHAMMER – Wrath Of The Hammer (Album Review)

    July 16, 2026
    8.5

    PROTEST THE HERO – Within (Album Review)

    July 15, 2026
    9.3

    LEFT TO DIE – Initium Mortis (Album Review)

    July 13, 2026
    8.4

    PRIDE OF LIONS – Unbridled (Album Review)

    July 8, 2026
  • Interviews

    Drummer MORGAN ROSE Explains Why SEVENDUST Threw Out The Rulebook When Writing Their New Album, “One”

    July 5, 2026

    “The Moth” Is DEVIN TOWNSEND’s Line In The Sand:  “I Did It Exactly The Way I Wanted To, With Whom I Wanted”

    June 28, 2026

    DEREK SHULMAN Talks “In A Glass House” Album Reissue, Signing PANTERA & DREAM THEATER, And Why GENTLE GIANT Will Never Reunite

    June 28, 2026

    JON DAVISON Talks “Aurora” Album’s Inception, And The Meaning Of Fronting YES: “I’ve Been Called To Duty — I Go Out There And Celebrate YES Music To Respect The Legacy”

    June 11, 2026

    “You Can’t Really Erase The Way We Play Or The Way We Think,” Says ANDY LAROCQUE — And LEX LEGION’s Debut Proves It In Spades

    June 9, 2026
  • Concerts

    CONCERT REVIEW: DAVID LEE ROTH Turns The Stone Pony Summer Stage Into A VAN HALEN Victory Lap

    June 8, 2026

    CONCERT REVIEW: TRIUMPH & APRIL WINE Bring San Antonio Back To Life At Frost Bank Center

    May 24, 2026

    CONCERT REVIEW: ALTER BRIDGE Prove Why They’re One Of Rock’s Greatest Live Acts At Borgata Event Center

    May 12, 2026

    CONCERT REVIEW: AVATAR, FLESHGOD APOCALYPSE & FROZEN SOUL Descend On Omaha — Glorious, Merciless & Impossible To Forget

    April 28, 2026

    CONCERT REVIEW: AMON AMARTH’s Norse Battle Spectacle & DETHKLOK’s Seizure-Warning Light Show Made Their San Antonio Show The Metal Event Of The Year

    April 22, 2026
  • Features

    How Canada’s Casino Venues Have Quietly Become A Backbone Of The Heritage Rock Touring Circuit

    May 22, 2026

    Between Hemispheres: A Fan’s Dilemma Over RUSH’s Return To Touring

    May 6, 2026

    Punk Rock Isn’t Dead: How the Genre Has Crossed Over To Gaming

    April 24, 2026

    The Rise Of Online Beat Stores & Digital Music Production: How The Internet Changed the Game

    March 27, 2026

    Rock & Roll Kickoff: Why NFL Stadiums Use Metal Anthems to Ignite the Crowd

    January 26, 2026
  • Photos
  • Contact
Sonic Perspectives
Home » WEATHER SYSTEMS – Ocean Without A Shore (Album Review)

WEATHER SYSTEMS – Ocean Without A Shore (Album Review)

Scott MedinaBy Scott MedinaSeptember 26, 20246 Mins Read Album Reviews
Share
Facebook Twitter LinkedIn Pinterest Email Reddit WhatsApp Copy Link

Finally, the weather forecast looks bright for Anathema fans. Although it has been a long 12 years since the album named “Weather Systems” was released, and an even harder 4 years since the band Anathema officially and mysteriously folded, 2024 finally sees a fully realized new album from Daniel Cavanagh. Borrowing the moniker from what he considers “the best Anathema album”, Cavanagh clearly aims to continue carrying the torch of his previous band. Fair enough, considering he was the primary songwriter, multi-instrumentalist, vocalist (along with his brother Vincent Cavanagh who was the main lead vocalist), and co-founder. And taking into account that much of this material was written by Cavanagh prior to Anathema’s breakup in 2020, originally meant to find a home on their subsequent album which never materialized, there’s a certain inevitability to “Ocean Without A Shore”. 

Still, it’s all been a little confusing along the way for the fans. Aside from understandable references to the devastating impact of the 2020 pandemic on the band’s finances, there was never a clear reason given for the band’s demise, much less any closure. Personal instruments were sold to raise money. Statements were made on social media, though the authorship was unclear. It was a dark chapter for the band and fans alike. Then demos started to circulate of material that Cavanagh was working on. There was a crowdfunding effort for a forthcoming album, by a band sporting the name of an Anathema album. Some members of the former band were reported to be involved. But no one was really clear what the hell was going on given the obscure rollout of information. 

Happily, that album (and band) has finally materialized and the results will likely soothe many ears who have longed for a new Anathema fix. Even more than expected, Cavanagh has apparently been determined to make the album that Anathema had abandoned, and to do it almost exactly as Anathema would have. There are subsequent “parts” of previous Anathema songs (including one from the album “Weather Systems”) featured here. There are multiple guest vocalists, including a woman who seems to fill the role that Lee Douglas so pivotally occupied on the past several Anathema albums. There are soaring guitar lines supported by symphonic grandeur. And the emotions drip off of each track. It’s Anathema as we almost know it, missing some beloved key members but still covering the bases as much as possible.

“Ocean Without A Shore,” Artwork

Cavanagh’s approach to songwriting over Anathema’s recent history (as well as his last solo album “Monochrome”) brings to mind a quote that guitarist Leo Kottke made during a live recording, “I’m going to demonstrate one of my favorite techniques in this next song – I’m gonna take a lovely, simple melody and drive it into the ground.” Few bands employ that technique as masterfully as Anathema, building a small melodic riff or progression into an orchestrated wall of emotion that leaves its listeners breathless. 

“Ocean Without A Shore” is no exception, the bulk of its tracks offering swirling repetitive meditations that become intoxicating through their relentless cycles. The first single “Do Angels Sing Like Rain?” employs this technique nearly as deftly as “Thin Air” did over a decade ago on “We’re Here Because We’re Here”. The second single “Synaesthesia” goes even further – in length and distortion – as drummer Daniel Cardoso (yep, from that Anathema band again) launches thunderous hits during the heavy sections. Still, there the gentle movements, falling sweetly as “rain down on me” drenches the listener’s ears with Cavanagh’s lead guitar line. Isn’t this what you’ve come for?, he seems to wordlessly ask. 

Connecting the dots more explicitly, “Untouchable – Part 3” picks up where the first two Parts left off on the “Weather Systems” album. Still, as beautiful as the rendering is, it has to be said there’s a bit of dissonance in hearing Daniel’s and Soraia’s dueting vocals instead of Vincent’s and Lee’s. If one can let that nostalgia go, however, there’s plenty here to enjoy as a Cavanagh vocal tone is still present, and Soraia’s voice is lovely. Additional vocals on the album are credited to Petter Carlsen, Oliwia Krettek, and Paul Kearns. Further on, “Are You There? – Part 2” achieves a similar impression, linking the new band with the mother ship one additional time. 

Every track succeeds in its own way. “Ghost In The Machine” finds male & female voices intertwining as Cardoso’s drums surround the listener. “Still Lake” employs the piano to stake out its repeating sonic structure, the ensemble vocals, and Soraia’s soaring voice ultimately making it one of the most thrilling new songs offered, especially as things get heavy towards the end with crunching guitars. “Take Me With You” exudes spiritual love, as the recurring theme of angels shows up yet again. Indeed, angels and water seem to form the core of the album’s subject matter, which we find again on the title track: “Can you see what’s behind the door, an ocean without a shore, a sky that can never fall…” This is a more synthesized piece, perhaps a nod to the “Distant Satellites” era, but still mesmerizing in its relentless repetition. 

“The Space Between Us” offers an enigmatic close, revolving around a looped vocal chant. Featuring some of the album’s best lead vocals, ethereal production as swaths of keyboards and effects float by, and Cavanagh’s electric tremolo-picked guitar, it’s a sumptuous finale to an Anathema album that almost was. 

There’s no getting around that Weather Systems is a bittersweet continuation of what’s come before. Still, taken on its own merits (if that’s even possible), “Ocean Without A Shore” stands confident as an accomplished, textured album that packs an emotional punch. Given the tenuous past four years, that’s genuinely more than most of us could have expected or hoped for. As such, let’s send love and appreciation to all the members of the previous band for all they gave us, and then to the continuing and new members of Weather Systems who are moving it forward.

Released By: Mascot Label Group / Music Theories Recordings
Release Date: September 27th, 2024
Genre: Progressive Rock

Musicians:

  • Daniel Cavanagh / Vocals, guitars, bass, keyboards
  • Daniel Cardoso / Drums
  • Soraia / Additional vocals
  • Petter Carlsen / Additional vocals
  • Oliwia Krettek / Additional vocals
  • Paul Kearns / Additional vocals

“Ocean Without A Shore” Track List:

1. Synaesthesia
2. Do Angels Sing Like Rain?
3. Untouchable Part 3
4. Ghost In The Machine
5. Are You There? Part 2
6. Still Lake
7. Take Me With You
8. Ocean Without A Shore
9. The Space Between Us

Order “Ocean Without A Shore” HERE

8.3 Great

Daniel Cavanagh picks up the pieces of his former band and resurrects the essence of Anathema with his new project Weather Systems. Containing a majority of the elements - if not all the members - that made Anathema so beloved, “Ocean Without A Shore” promises to entrance its listeners through its hypnotic, textured sonic meditations. An accomplished next step for Cavanagh, and yet a bittersweet experience for devoted Anathema fans

  • Songwriting 8
  • Musicianship 8.5
  • Originality 7
  • Production 9.5
Related Posts
8.9

STORMHAMMER – Wrath Of The Hammer (Album Review)

8.5

PROTEST THE HERO – Within (Album Review)

9.3

LEFT TO DIE – Initium Mortis (Album Review)

8.4

PRIDE OF LIONS – Unbridled (Album Review)

View 1 Comment
1 Comment
  1. Andy Pritikin on September 28, 2024 4:59 pm

    Awesome review, Scott. I’m with you 100%. A shame to not hear vincent, but the textures, songs, and instrumentation fill the void that has been lacking 🤘😎❤️🎸

CONNECT WITH US ON SOCIAL MEDIA
  • Facebook Followers
  • YouTube Subscribers 85.6K
YOU MIGHT ALSO LIKE

JUDAS PRIEST To Release “Sad Wings Of Destiny” 50th-Anniversary Edition on “Faithkeepers Tour”

July 21, 2026

HATEBREED Share New Single “Kill Count Increase” From Upcoming New Album “Fatal Paradox”

July 21, 2026

MISERY INDEX Returns With First New Single in Four Years, “Feral Future”

July 21, 2026

MESHUGGAH Teams Up With Hasbro Transformers For Exclusive San Diego Comic-Con Fan Signing

July 21, 2026

MARILYN MANSON Reveals New Video For “Front Toward Enemy”

July 21, 2026

TRIVIUM Announces Fall North American Tour With Support Of IN FLAMES, ORBIT CULTURE, FIT FOR AN AUTOPSY & FROZEN SOUL

July 21, 2026

GODSMACK’S SULLY ERNA Pushes Back On MIKE MANGINI “Overqualified” Claims: “The Most Complicated Kind Of Music Sounds Very Simple… It’s Not RUSH, But It’s Not AC/DC Either”

July 21, 2026

UNCLE ACID AND THE DEADBEATS Announce Seventh Album “Shapes Of Midnight” & Shares Title Track

July 20, 2026

CROWBAR’s Summer European Run Scrapped Due To KIRK WINDSTEIN’s Spinal Cyst

July 20, 2026

BIFF BYFORD Reveals Details For Upcoming SAXON’s Album “Gods Of Thunder”

July 20, 2026

CLOVEN HOOF Announces Tenth Album “Never A Prophet In Your Own Land” Featuring The Return Of JAG PANZER’s HARRY CONKLIN As Lead Vocalist

July 20, 2026

RUSH Are Reportedly In Talks For LAS VEGAS SPHERE Residency: “Contracts Could Be Locked Down in the Next Couple Of Weeks”

July 20, 2026
9.0

NORTH SEA ECHOES – How To Cast A Shadow (Album Review)

July 20, 2026

JOANNE SHAW TAYLOR Embraces Love’s Dangerous Side on Fiery New Single “Bad Boy”

July 17, 2026

MARILYN MANSON Releases Second Single “Front Toward Enemy” From “One Assassination Under God – Chapter 2”

July 17, 2026
Facebook Youtube
© 2026 Sonic Perspectives. All Rights Reserved.
  • News
  • Album Reviews
  • Concert Reviews
  • Interviews
  • Features
  • Photo Galleries
  • Privacy Policy
  • News
  • Album Reviews
  • Concert Reviews
  • Interviews
  • Features
  • Photo Galleries
  • Privacy Policy

Type above and press Enter to search. Press Esc to cancel.

Ad Blocker Enabled!
Ad Blocker Enabled!
Our website is made possible by displaying online advertisements to our visitors. Please support us by disabling your Ad Blocker.