THE PRETTY RECKLESS will release a new collection of music, “Other Worlds”, on November 4 via Fearless Records. The effort sees the group delivering its first proper acoustic recordings, unexpected covers and other re-imaginings. Today, the band has shared the visualizer for the absolutely stunning acoustic version of “Harley Darling.” Watch + listen below.
THE PRETTY RECKLESS dressed down this favorite from “Death By Rock And Roll” to its bare essence with a stirring and striking acoustic performance.
“‘Harley Darling’ is a love letter to Kato Khandwala,” says Momsen. “It’s as simple as that. So many of us have stories of losing loved ones, especially now, and I hope this song can be used in other’s healing as it was in my own.”
“For a long time, we’ve been trying to figure out an alternative way of releasing music, including songs we love that didn’t make our records, covers, and alternate versions,” explains singer Taylor Momsen. “We found a way to do this coherently and consistently with ‘Other Worlds’. We’re a rock band, so there are lots of electric guitars on our records. However, we’ve gotten incredible feedback from fans about our acoustic performances, and we’d never put those out in any real format. So, this is a different take on the traditional format of a record and a stripped back version of us that our fans haven’t really heard before, but it’s still us.”
“You get to hear a different side of Taylor‘s vocals,” adds guitarist Ben Phillips. “It was a chance for us to see what she would sound like singing songs by people who have inspired us. It also gave us some perspective of where we need to go and what we need to be if we want to be that good.”
Pre-order “Other Worlds” here.
“Other Worlds” collates striking acoustic renditions of personal favorites accompanied by some very special guests. The recording of Elvis Costello‘s “(What’s So Funny ‘Bout) Peace, Love And Understanding” served as Momsen‘s first cover originally performed for the “Fearless At Home” live-stream in the midst of COVID. As another pandemic-era cover, Matt Cameron played guitar and sang as Taylor powered an airy and lithe re-imagining of SOUNDGARDEN‘s “Halfway There” from “King Animal”, generating hundreds of thousands of views on its initial post. Iconic multi-instrumentalist, producer and artist Alain Johannes handled guitar on THE PRETTY RECKLESS‘ pensive and poetic interpretation of “The Keeper”, originally by Chris Cornell, while David Bowie pianist Mike Garson performed a stirring piano movement for THE THIN WHITE DUKE‘s “Quicksand”.
“Other Worlds” Album Artwork
“Other Worlds” track listing:
1. Got So High (remix)
2. Loud Love
3. The Keeper (feat. Alain Johannes)
4. Quicksand (feat. Mike Garson)
5. 25 (acoustic)
6. Only Love Can Save Me Now (acoustic)
7. Death By Rock And Roll (acoustic)
8. Halfway There (feat. Matt Cameron)
9. (What’s So Funny ‘Bout) Peace, Love And Understanding
10. Harley Darling (acoustic)
11. Got So High (album version)
Since 2008, THE PRETTY RECKLESS have given rock ‘n’ roll the jump-start it needed for a new generation. 2021’s “Death By Rock and Roll” elevated them to rarified air. With its impact, the four-piece carved out a place in history as the first female-fronted band to have back-to-back No. 1 singles at the active rock format and the first female-fronted act to have seven No. 1 singles on the Billboard Rock Radio Chart. Beyond acclaim from V Magazine, The TODAY Show, PEOPLE, Spin, ELLE, American Songwriter, Bustle, ABC News Nightline, The Daily Beast, and more, it bowed at #1 on the Billboard Top Album Sales Chart. It also notably boasted collaborations with legends such as Soundgarden’s Matt Cameron and Kim Thayil on “Only Love Can Save Me Now” and Rage Against the Machine‘s Tom Morello on “And So It Went.”
Through and through, THE PRETTY RECKLESS didn’t simply throw the rule-book out the window; they set the f**ker on fire on the way down. Introducing a bold vision unlike anything else this era had seen, Momsen‘s bluesy seductive howl collided with revved-up and raucous rhythms, sweetly stoned melodies, and enough unpredictability in the studio and onstage to bring the danger back to rock ‘n’ roll. By sticking to their guns, the musicians reaped the rewards of such uncompromising fearlessness.
This boundlessness drives “Other Worlds,” where they deliver their first proper acoustic recordings, unexpected covers, and other re-imaginings, covering new territory once more.
