Multi-million streaming, UK-based collective President continue to exist at the intersection of heavy music, electronic experimentation, and cinematic atmosphere. Launching in 2025 and operating under the cloak of minimalism and anonymity, President have been cultivating intrigue with each single and live performance. Refusing to conform to the traditional structures of genre or identity, President prioritize intent over image.
Today, the band announces its upcoming North American 2026 headline tour, with support from Cenobia and Showing Teeth on select dates. Produced by Live Nation, the tour is set to kick off September 4 at Brooklyn Bowl in Nashville, making stops across the U.S in Chicago, New York, Toronto, Boston, Atlanta, Denver, Seattle, Los Angeles. and more before wrapping up in Dallas at House of Blues on October 14. Fresh off their first-ever full U.S. run supporting Bad Omens, President will return this fall to headline venues across the continent.
Tickets will be available starting with an artist and Citi pre-sale in select venues beginning on Thursday, April 2 at 10 am local time. The general on-sale begins on Friday, April 3 at 10am local time here.
Citi cardmembers will have access to pre-sale tickets beginning Thursday, April 2 at 10 am local time until Thursday, April 2 at 10 pm local time through the Citi Entertainment program. For complete presale details visit here.
Last week, President unveiled the new single “Mercy”, which is all about perfectly executed dynamics — mixing memorable melodies and heavier-than-granite riffs with gritty breakdowns. The result is another unforgettable anthem.
About the song, President say: “Throughout history, religion has been tied to profound division and loss. This song is a reflection on that reality, and a way for me to come to terms with what it means on a human level.”
Built to exist outside the noise, President are building something that invites deeper investment — designed to be discovered, not sold. President said it best, telling Revolver in a cover feature that “the music industry has elements of fast fashion to it these days. Things just come and go. Everything’s really quick. Everyone’s shouting for attention and there’s just so much noise, and it just becomes a fucking conveyor belt. [We] wanted to step back and not be a part of that. But if people are interested, and they want to enter into this world, we’ll grab them with open arms.”
