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Home » SYNCATTO – Memento (Album Review)

SYNCATTO – Memento (Album Review)

Rick AtkinsonBy Rick AtkinsonMay 27, 20255 Mins Read Album Reviews
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Charlie Robbins, the virtuoso behind Syncatto, returns with Memento, a bold, intricate, and emotionally resonant instrumental journey. Known for his seamless fusion of progressive metal, flamenco, and jazzy cinematic elements, Charlie pushes his craft even further with this release. Memento not only highlights his technical command of the guitar but also his growth as a composer with a flair for groove, atmosphere, and melodic storytelling.

Memento opens with “Mother of God,” a barnstormer that sets the tone with Charlie’s percussive rhythm playing offset by a playful melody. It’s a strong prelude that hints at the journey ahead, mixing heaviness with restraint. As is typical with Syncatto, the song changes direction constantly, forcing the listener to just try and keep up.

Arguably one of the album’s most infectious tracks, “Change of Wind” explodes with syncopated riffs reminiscent of his alter ego band Artificial Language and exotic Eastern melodies. Charlie’s super slidey and hybrid picking riffs are on full display here. The groove here is unrelenting, and Charlie’s confidence shines through every phrase. The blend of thumping djenty rhythms with Asian influences creates something distinctively Syncatto: quirky, technical, and wildly creative.  Two songs in, and it’s clear that Charlie Robbins is continuing to evolve his trademark sound. The one guarantee is that the musical output will continue to surprise and delight.

In a shift of pace, “I’ll Be Okay” leans into the melodic side. Though Chon-esque in some ways, Charlie stays true to his identity. This track floats in and out of time, creating a dreamy, fluid atmosphere. As is common in the Syncatto repertoire, he will occasionally reference melodies from prior albums. In this case, “Prestige” from the Fiction album comes to mind. It’s a solid track that feels vocal-ready, as if begging for a collaboration, but holds its own beautifully in instrumental form.

With “Ritual”, Charlie expands his sonic palette even further. Vocalizations, samples, and harpsichord-like elements elevate the track beyond the typical prog guitar format. It’s a masterclass in thematic development — groovy, melodic, and brimming with ideas. It’s the album’s creative peak and a personal favorite.

“Hollow” reinforces Charlie’s unique voice. Percussive riffs duel with hypnotic Asian drone melodies, while hybrid picking and thick tone walls create a powerful dynamic. Just some truly stellar techniques present throughout the entire track. It doesn’t reinvent the wheel, but it doesn’t need to—it reaffirms what Syncatto is all about. Certainly one of the strongest tracks of the album.

Returning to a more grounded approach, “Blind Faith” offers a groove that builds patiently, showcasing Robbins’ knack for melody. While more traditional in structure, it remains engaging and technically rich. Echoes of the A Place to Breathe album surface here, reinforcing Charlie‘s ability to write emotionally compelling music without relying on overly flashy shredding.

With “Codex”, we’re treated to the soothing, classical voice of the nylon guitar. Robbins navigates this terrain with finesse, crafting a transportive piece that evokes movement through different musical landscapes. It’s a welcome change in direction within the album — meditative and warm — and suggests that a full-on flamenco-inspired record wouldn’t be out of place in his discography.

“Blossom” is busy, fusion-tinged, and full of twists. It dances airily before dropping into a detuned breakdown, keeping the listener guessing. Robbins thrives in this kinetic environment, flexing his ability to blend chaos with cohesion. The number of guitar tones surfaced on this album is astounding. Charlie is like the man of a thousand tones, constantly shape-shifting, sometimes measure to measure within the music.

Short and punchy, “Neon Nights” leans into quirky electronic textures. True to its name, it feels like a neon-lit dash through a futuristic cityscape. It’s a quick display of virtuosity and playfulness. “Smoke & Mirrors” brings back Robbins‘ signature slide and hybrid picking combo. While it doesn’t break new ground, it distills his most recognizable elements into a tight, effective package. The rhythmic complexity and time play make it another highlight.

Closing the album with grace, “Waiting for You” strips things back a bit. It’s cinematic, restrained, and breathtakingly melodic. By slowing the pace, Charlie allows space and emotion to carry the piece. The crescendo that concludes the track is not only uplifting and satisfying but also a fitting farewell. This is one of his most beautiful compositions and proof that his music doesn’t always need to flex to impress. Sometimes, it just needs to breathe.

Memento is a triumph. It’s the sound of a mega-talented guitarist evolving into a full-fledged composer. Charlie channels groove, melody, experimentation, and storytelling into a cohesive and fulfilling listen. While the technical prowess is ever-present, what truly shines is his artistic maturity, his ability to convey emotion, surprise the listener, and expand the instrumental guitar genre. Fans of Plini, Polyphia, and Chon should drop what they are doing and give Memento a listen. You just found your new favorite jam.

Release Date: May 30th, 2025
Record Label: Independent
Genre: Progressive Metal

Musicians:

  • Charlie Robbins / All instruments

Memento Track-list:

  1. Mother of God
  2. Change of Wind
  3. I’ll Be Okay
  4. Ritual
  5. Hollow
  6. Blind Faith
  7. Codex
  8. Blossom
  9. Neon Nights
  10. Smoke & Mirrors
  11. Waiting for You
9.0 Excellent

Syncatto returns with a kaleidoscope of creativity baked into the new release of Memento. Charlie Robbins gives a masterclass in prog guitar music filled with groove, melody and technical wizardry

  • Songwriting 8.5
  • Musicianship 9.5
  • Originality 9
  • Production 9
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