HUMAN HELL Share Single “Amalantrah” From Upcoming EP

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The only guarantee in life is death. Absolute finality. Void in rest. Terra firma, Firmly in terror. An error. Mother Earth Died in childbirth. Of our new era

Human Hell have released their single ‘Amalantrah’ on DSP’s on the 9th April 2021. This single is the first from the band’s upcoming EP and showcases a darker sound than anything the band has previously written. ‘Amalantrah’ is complimented by a dark and bleak music video which is live at Slam Worldwide. Human Hell have upcoming shows with Monasteries, Gassed Up, Graphic Nature, RXPTRS, From Sorrow To Serenity and Immerse, with plenty more being booked for the remainder of 2021. The upcoming EP focusses on occult and dark subject matter.

Speaking about ‘Amalantrah’ Steven Parnell says – “The word “Amalantrah” comes from a series of experiments conducted by occultist and writer Aleister Crowley. The premise of the Amalantrah Working was to invoke, into physical manifestation, specific ethereal intelligences. It is said a tear in time and space was created to allow this. What did we really let in? The events were conducted through the Scarlet Woman, a physical representation of Babylon. Her divine feminine energy attracted further interest in physicist Jack Parsons and Scientology founder L. Ron Hubbard to fulfil similar desires. Babylon can be seen to be inspiring these events, which aim to bring her into this world. It could be said she achieved success. Since the songs inception a lot has been in the news of scandals, paedophile rings, ritual ceremonies and human trafficking being tied to those in the highest places of power and influence.

This song is an amalgamation of hatred and disdain for those who have committed atrocities and their motives. Unspeakable horror has been wrought unto the victims by those who brought hell to their earth.

This music itself was conceived in the early stages of lockdown in March/April 2020 remotely from our homes. It is angry and hard hitting. It features a dreamy lead in the outro of the song which invokes a strange feeling of occhiolism paired with the plea to “end it all.”

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